Its earliest widely recognized use in composition was for Pluton, a 1988 piano and computer piece by Philippe Manoury the software synchronized a computer to a piano and controlled a Sogitec 4X for audio processing.

At this point in its development Max couldn't perform its own real-time sound synthesis in software, but instead sent control messages to external hardware synthesizers and samplers using MIDI or a similar protocol. Originally called The Patcher, this first version provided composers with a graphical interface for creating interactive computer music scores on the Macintosh. ġ980s: Miller Puckette began work on Max in 1985, at the Institut de Recherche et Coordination Acoustique/Musique (IRCAM) in Paris. Because of this extensible design, which simultaneously represents both the program's structure and its graphical user interface (GUI), Max has been described as the lingua franca for developing interactive music performance software. Thus, Max has a large user base of programmers unaffiliated with Cycling '74 who enhance the software with commercial and non-commercial extensions to the program. An application programming interface (API) allows third-party development of new routines (named external objects). The Max program is modular, with most routines existing as shared libraries. Over its more than thirty-year history, it has been used by composers, performers, software designers, researchers, and artists to create recordings, performances, and installations. Max, also known as Max/MSP/Jitter, is a visual programming language for music and multimedia developed and maintained by San Francisco-based software company Cycling '74.

Max for live visuals